The Future of Music: Manifesto for the Digital Music Revolution (Berklee Press)
Author | : | |
Rating | : | 4.80 (927 Votes) |
Asin | : | 0876390599 |
Format Type | : | paperback |
Number of Pages | : | 193 Pages |
Publish Date | : | 2017-10-13 |
Language | : | English |
DESCRIPTION:
. Kusek is a musician who has been inventing the future of music for the past twenty-five years. Today, Dave innovates at Berklee College of Music in Boston, Mass.Leonhard is a respected music futurist and oft-quoted visionary, a well-known music industry executive and music business entrepreneur, a sought-after strategic adviser and music industry super-node -- and still a performer (guitar), writer, and producer
. (Feb.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. From Publishers Weekly In what could be one of the most provocative music books published this year, two innovators in music technology take a fascinating look at the impact of the digital revolution on the music business and predict "a future in which music will be like water: ubiquitous and free-flowing." Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade; consumers will have access to more products than ever, though, through a vast range of digital radio channels, person-to-person Internet file sharing and a host of subscription services. All rights reserved. The authors are especially good at describing how the way current record companies operate - as both owners and distributors of music, with artis
Expertly Cogent And Still Layman Accessible Vic G. Sarjoo Written with a smoothly flowing cadence this tome engages both the expert and layman reader and offers a survey of the digital music landscape from both a 30,000-foot-view *and* on a rubber-meets-the-road level. This book provocative, interesting and on app. The Marketing is the Distribution One line in this book that jumps right out is "The Marketing is the Distribution", and in the case of the internet this is absolutely true. Marketing has always been where the big labels were able to flex their muscles before the internet days. But it seems. J. Randall Davidson said The Future of Music. This is a polemic with both feet on the ground. For such a small volume, it carries a great deal to think about although much of that thought will be utopian. There are a few, but too few, ideas about how to bridge the gap from the "old" ways of doing busin
For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water," benefiting the people who love music and make music.. (Berklee Press). This book explains why we got where we are and where we are heading. From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. For the next generation of players and downloaders, a provocative scenario from a music industry think tank. Today, the record companies may be hurting but the music-making business is booming, using non-traditional digital methods and distribution models