Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island (Media, Culture and Social Change in Asia Series)
| Author | : | |
| Rating | : | 4.27 (663 Votes) |
| Asin | : | 0415380685 |
| Format Type | : | paperback |
| Number of Pages | : | 304 Pages |
| Publish Date | : | 2015-03-18 |
| Language | : | English |
DESCRIPTION:
Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.. In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident
His research interests cover media communication in the areas of film, cultural and gender studies. . Tan See Kam is Associate Professor of Communication at the University of Macau, Macao SAR, China. He is the author of Chinese Connections: Critical Perspectives in Film, Identity and Diaspora (with Feng and Marchetti). About the AuthorGina Marchetti is on faculty in Comparative Literature at the University of Hong Kong. He is Vice-Chair of the Asian Cinema Studies Society. Her other books include Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction (1993), a
. Tan See Kam is Associate Professor of Communication at the University of Macau, Macao SAR, China. He is Vice-Chair of the Asian Cinema Studies Society. He is the author of Chinese Connections: Critical Perspectives in Film, Identity and Diaspora (with Feng and Marchetti).